“James Geidt particularly impressive for his bold, urgent performance as Demetrius”


SEEN AND HEARD INTERNATIONAL

“James Geidt particularly impressive for his bold, urgent performance as Demetrius”


SEEN AND HEARD INTERNATIONAL

  • A Midsummer Night’s Dream • Garsington Opera

    “Caspar Singh’s vocally virile Lysander and Stephanie Wake-Edwards’ exasperated and fruity-voiced Hermia contrast well with James Geidt’s clarion-voiced Demetrius and Camilla Harris’s besotted ‘spaniel’ Helena”

    David Truslove, Opera Today

  • A Midsummer Night’s Dream • Garsington Opera

    “The human lovers all aptly embody passion and gusto in their various amorous and jealous ventures, James Geidt particularly impressive for his bold, urgent performance as Demetrius”

    Curtis Rogers, Seen & Heard International

  • The Apostles • The Three Choirs Festival

    “Among the men, James Geidt was a stalwart Peter”

    John Quinn, Seen & Heard International

  • The Cunning Little Vixen • Royal Academy of Music

    “As the Forester, James Geidt revealed a strong, true baritone which conveyed the gamekeeper’s inner emotions with conviction. Initially evincing a morose world-weariness, his growing feeling for the Vixen - evidenced in a vulnerable hesitancy with his gun, allowing her to escape - flourished into a compassion which was both touching and credible.”

    Claire Seymour, Opera Today

  • Dido & Aeneas • Vache Baroque 

    “Geidt was the pick of the supporting singers, entertaining us richly as the wicked Sorcerer at the same time as allowing us to appreciate the quality of his strong, flexible bass-baritone.”

    David Karlin, Bachtrack

  • The Magic Flute • Royal Academy of Music

    “James Geidt’s safari-suited pith-helmeted Papageno is full of genial baritonal warmth and charm; his engaging interactions with the audience nicely judged.”

    Alexander Campbell, Classical Source

  • A Midsummer Night’s Dream • Garsington Opera

    “Caspar Singh’s vocally virile Lysander and Stephanie Wake-Edwards’ exasperated and fruity-voiced Hermia contrast well with James Geidt’s clarion-voiced Demetrius and Camilla Harris’s besotted ‘spaniel’ Helena”

    David Truslove, Opera Today

  • A Midsummer Night’s Dream • Garsington Opera

    “The human lovers all aptly embody passion and gusto in their various amorous and jealous ventures, James Geidt particularly impressive for his bold, urgent performance as Demetrius”

    Curtis Rogers, Seen & Heard International

  • The Apostles • The Three Choirs Festival

    “Among the men, James Geidt was a stalwart Peter”

    John Quinn, Seen & Heard International

  • The Cunning Little Vixen • Royal Academy of Music

    “As the Forester, James Geidt revealed a strong, true baritone which conveyed the gamekeeper’s inner emotions with conviction. Initially evincing a morose world-weariness, his growing feeling for the Vixen - evidenced in a vulnerable hesitancy with his gun, allowing her to escape - flourished into a compassion which was both touching and credible.”

    Claire Seymour, Opera Today

  • Dido & Aeneas • Vache Baroque 

    “Geidt was the pick of the supporting singers, entertaining us richly as the wicked Sorcerer at the same time as allowing us to appreciate the quality of his strong, flexible bass-baritone.”

    David Karlin, Bachtrack

  • The Magic Flute • Royal Academy of Music

    “James Geidt’s safari-suited pith-helmeted Papageno is full of genial baritonal warmth and charm; his engaging interactions with the audience nicely judged.”

    Alexander Campbell, Classical Source